The City of Light is a program that begins with a simple question: what happens when art stops being decoration and starts being presence?
Budapest is the first city in the world to host a City of Light program. Three hundred companies. Three hundred authenticated artworks. A rotating collection that changes every two months, bringing fresh energy into the spaces where people work, meet, and decide.
Every artwork in the program is part of the Christina Black Edition — a limited series created specifically for the City of Light. Each piece carries its own authentication, its own dedicated digital record, and its own musical layer. When someone scans the artwork in your space, they do not just see a product page. They enter a living cultural presence connected to your company’s values.
Participating companies choose which social focus areas their presence connects to — from education and youth support to environmental protection and community building. That choice becomes visible: in the space, in the company’s ESG dashboard, and in the communication material that the platform generates automatically.
The City of Light is not a marketing campaign. It is not an art rental service. It is a structured cultural presence that builds over time — in the space, in the people who pass through it, and in the company’s place in the city’s story.
Budapest is the first chapter. The program is designed to grow — city by city, country by country. The companies that join now are not simply participating. They are founding something.
Three hundred places. When they are filled, the first chapter closes.